Building upon the circuit layout of our legendary ph1.0 Phono Equalizer. An upgraded phono equalizer that pursues the unlimited possibilities of analog recordings.
Phono Equalizer(SOULNOTE 10-year Anniversary Model)
PLATINUM SILVER / BLACK
Building upon the circuit layout of our legendary ph1.0 Phono Equalizer.
An upgraded phono equalizer that pursues the unlimited possibilities of analog recordings.
Perfectly balanced, discrete non-NFB phono equalizerThe biggest advantage of non-NFB amplifiers is the exceptional transient responsiveness they obtain by indefinitely extending the high range. Non-NFB amplifiers provide even more benefits with analog sources, which essentially have no range limitations. The E-1 is built upon the circuit layout and components of our legendary ph1.0 Phono Equalizer and has refined the finer points of that model. By including RIAA elements in voltage amplification circuit loads, the E-1 features a unique circuit system that makes gain itself an RIAA characteristic and obtains uniform quality throughout the entire frequency range above 100 kHz, thus eliminating the drawbacks of both CR types that have problems with dynamic ranges at the high end and NF types that change NF volume depending on the range. The CR components use MELF with 1% accuracy and polypropylene film capacitors with 2% accuracy for perfect curve characteristics. The result is a phono equalizer with the soul of the ph1.0 and remarkable augmentation of clarity, information, and sonic realism.
A strong, balanced output is obtained by providing a fully balanced non-NFB buffer amplifier that is even capable of driving loudspeakers.Unbalanced outputs are output only through the HOT balanced output, just like with other SOULNOTE products.
The E-1 incorporates 260 VA toroidal transformers with the same specifications as those used in the A-1 Integrated Amplifier. Darlington ripple filter circuits, fast recovery diodes, and 10 parallel 1,000 μF filter capacitors combine in a non-NFB power supply that creates an inexhaustible sense of lightness.
Supported by three spikes, one on the front side and two on the rear side. In this way, the spike pins can be placed directly under the transformer, and mechanical grounding can be achieved to allow harmful transformer vibrations to escape directly out of the chassis.As a result, the fuzziness of the sound caused by chassis dumps can be removed and the soul of sound can be reproduced.
Though plastic insulators are the conventional standard, we now use metallic insulators since they promote higher sound quality.
